The pages they actually preached from.

Not the story itself. Six words that put him back in the room. He tells it from memory, which is why it lands.

One sentence per movement is highlighted. If the sermon runs long, these survive and everything else goes.

The secular listener gets named and quoted fairly before Jon answers. The cyan highlight is the exact phrase he will say in their voice.

Pascal, Rorty, James K.A. Smith. Underlined means read it word for word and say who said it.

Every quotation he will read aloud is yellow. Everything not highlighted he may paraphrase or skip.

Slide cues inline with the text, so the words and the screen never drift apart. Nothing is left to memory.

The sentence that carries the room from one movement to the next. He names it, writes it in full, and never improvises it.

The first of the sermon's three movements begins here, two pages in. Everything above it was the setup the text needed.

The one claim the movement rests on, in red, in bold. The rest of the page exists so this sentence can land.

“Criminal court to a civil court.” A phrase, not a sentence. It becomes a slide. The explanation stays on the page.

“Lies we still believe” is the spine of the back half. On the slides it becomes “Rebellion, Lies and the Sovereignty of Self.”

Four lies, four blue lines, one slide each. Reading the page you can predict the deck.

“Show photo of woman snorting likes.” The illustration is a cue to the tech team, not a paragraph. Watch how little text it takes.